德
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Timothy David Piper
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The family relationship drama-comedy centers around a struggling Hollywood actress forced to reunite with her sister as part of her father’s last wishes. Lou Wells (portrayed by Breeds) was set to become Hollywood’s next big thing – but a few years later, she’s hit rock bottom. Broke and aimless, she reluctantly accepts a ticket from her estranged father (Thomson), home to Kangaroo Island for a “family reunion.” When her father’s real agenda unfolds, years of tension resurface, and Lou struggles between continuing to run away from her past or working to repair the damage done.
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安德鲁·库明,李·海文·琼斯
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John is a repressed man who is shocked to find himself in middle age, secretly raging at his life as a stay-at-home dad. When his failure to intervene in a violent confrontation in a playground brings his identity crisis to a head, John ups and moves his family to the rural idyll of Coldwater, as far away from London as possible.
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查理·帕尔默,莎拉·哈丁,大卫·摩尔
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When old family friend Louisa Oxley visits Miss Marple one stormy night seeking help, Miss Marple decides to send her and her son, Archie, to safety at the labyrinthine estate of Greenshaw's Folly, owned by Miss Marple's good friend Katherine Greenshaw, an eccentric botanist and the last surviving Greenshaw. Louisa becomes Miss Greenshaw's secretary, and quickly attracts the at...
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安迪·海伊,汤姆·森兰,约翰·史翠兰,大卫·摩尔
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《马普尔小姐探案》第五季:白马酒店、名苑猎凶、蓝色天竺葵、破镜谋杀案。 世界推理史上与波罗、福尔摩斯比肩的“安乐椅神探”——马普尔小姐隆重登场! 目光慈祥,容颜清癯,银发如霜,小乡村里,安乐椅上,摇啊摇地编着白色羊毛衫——这么一位普普通通的老太太,怎么就成了推理史上声名显赫、令江湖恶棍闻风丧胆的乡村女神探? 只能说,案件是复杂的,推理是简单的,世事是奇妙的。马普尔小姐的出现,几乎是在证明每个人——即便象我们这样的凡夫俗子,都可以轻易成为神探,只要你能象她一样具备两大断案法宝——惊人敏锐的观察力,以及对人性超级深刻的洞察力。 当然,其实做不做神探都不打紧,夜半时分,寻把摇椅,倒杯茶,陪马普尔小姐坐着,看月光下,窗帘响处,凶手现形……一样过瘾十足。 阿加莎克里斯蒂经典篇目全新改编,超豪华演出阵容,史上最强版本。
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Cole Davidson,Matthew Luke Tucci,约翰尼·哈洛兰,亚历克斯·巴伯,保罗·坎达里安,艾米·苏·福尔,马修·卢克·图齐,杰夫马克,Gina Barber
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After an eccentric billionaire creates a drug called INOC which stops the aging process effectively eliminating death itself, the future of a world where death no longer exists is seen. Through a seemingly harmless children's toy, the story of the fate of mankind is told while also revealing an elusive truth to its unknowing spectator.
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杰拉德·约翰逊
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Odyssey follows Natasha Flynn, a sharp-tongued, coke-fuelled London estate agent, who juggles debts, danger, and deception. Her seemingly glossy life—flashy clothes, posh loft apartment, and endless champagne—hides a spiralling mess of broken dreams, addiction and a business on the brink of collapse. Enter Dan and Will, smooth-talking loan sharks with a sinister edge. Their offer? Easy cash, if she hides a kidnapped fellow estate agent. What follows is a wild, neon-soaked ride through London’s seedy underbelly, as Natasha searches for The Viking, an old ally with violent tendencies. A bloody, chaotic showdown ensues, leaving bodies—and morals—shattered.
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斯派克·李
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迈尔肯(丹泽尔•华盛顿 Denzel Washington 饰)出生于一个黑白通婚的家庭,其父是黑人牧师,其母是无偏见的白人。但是当时,美国种族矛盾激化,3K党经常骚扰他家,在他的幼小心灵中种下了复仇的种子。迈尔肯长大后,混迹于街巷酒吧之中,甚至染上了毒品、偷盗等恶习。一次偶然的机会,迈尔肯与白人女子索菲亚相遇,但这段爱情因种族偏见而夭折。迈尔肯因犯罪锒铛入狱,正当他处于困境之时,一位黑人教徒引领他皈依了伊斯兰教,这也成为他人生的转捩点。他通过阅读大量书籍,逐渐了解了种族歧视的文化根源,并多次在公开场合宣扬黑人要独立、对白人复仇的激进主张,引起轩然大波。迈尔肯成为很多人的眼中钉,甚至遭遇了背叛,引来了灭顶之灾……
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丽莎·斯蒂恩
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凯伦·吉兰、玛格丽特·苏菲·斯坦、杰梅因·福勒、凯文·尼伦、塔利亚·巴尔萨姆将主演喜剧新片《大器晚成》(Late Bloomers),丽莎·斯蒂恩首导剧情长片,已在纽约杀青。 斯蒂恩的多部短片搭档安娜·格林菲尔德写剧本,松散基于她20多岁时居住在布鲁克林的经历,讲述露易丝(吉兰)是一个漫无目的的千禧一代,某天她醉醺醺地摔到了臀部,为此接受了物理治疗,在那里结识了一位不会说英语的年长波兰女士,两人成为了闺蜜。而正是这种不太可能的友谊让露易丝有勇气面对她一直在逃避的事情:她母亲的早发性老年痴呆症。 福勒饰演露易丝的室友/房东布里克,尼伦和巴尔萨姆饰演露易丝的父母。
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迈克尔·珊农
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Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender. Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.






























